Outdoor art exhibition returns to Queens Botanical Garden, showcasing works by five local artists – QNS.com


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For the second year at the Queens Botanical Garden, AnkhLave Arts Alliance Inc., a non-profit organization that strives to provide inclusive representation of people of diverse ethnicities in the conversation about contemporary art, selected five local artists to create site-specific art installations within the grounds of the garden.

The 3rd Annual AnkhLave Garden Project 2021 is currently on display at QBG through Tuesday, September 21, featuring the work of five Queens-based Black, Indigenous and Color (BIPOC) artists who represent and reflect the garden’s diverse audience. .

This project is made possible by the Queens Council on the Arts with public funds from the New York City Department of Cultural Affairs in partnership with the New York City Council. Additional support was provided by Can’d Aid.

Dario Mohr, CEO and Director of AnkhLave Arts Alliance Inc., who lived in Flushing and spent a lot of time in the garden, said it was his first urge to bring their second show – and now their third project. – to QBG.

“Like last year, we wanted to present the artist’s work to the public primarily in the garden,” Mohr said. “It’s an exciting thing to bring artists to this space. A lot of people might not spend a lot of time interested in art, but this is a great opportunity for them to be exposed to it, in a way that suits them. ”

Last year, AnkhLave Arts Alliance Inc. installed five art installations for its second exhibition in the garden. According to Mohr, while there was troubleshooting and uncertainty due to COVID, he was grateful that QBG reopened to the public last summer and that people were able to see the artwork and s’ engage in it.

“This show runs for three and a half months – it’s a month longer than last year’s show and a lot of people could see the work,” Mohr said. The work has generated a lot of buzz on social media and we are happy to present our five artists who have worked very hard this year.

The AnkhLave Garden Project 2021 artists are:

Christy Bencosme: “Llegó La Luz”

Photo courtesy of AnkhLave Arts Alliance Inc.

Location: Forest Explorers Triangle

Bencosme is a Dominican-American artist from Jamaica, Queens. She received her BFA from the School of Visual Arts in 2017 and is currently an MFA candidate at Queens College with a concentration in the art of social practice.

“Llegó La Luz” is the reflection of being a child of immigrants and coming from generational poverty. Translating to “the light has arrived,” the title echoes a phrase exclaimed in the Dominican Republic once the power returned from commonly experienced blackouts. Honoring working class immigrants, including the artist’s parents, this sculpture can be activated by viewers through touch, sound and sight. Through this activation, children of immigrants are reminded that their test of resilience embodies the light manifested by their ancestors and the essential character of immigrant families in Queens and beyond.

Dennis Redmoon Darkeem: “Guardians of the Four Winds” and “Land Recognition Flag”

Photo courtesy of AnkhLave Arts Alliance Inc.

Location: Prairie, green trailers

Darkeem is inspired to create works of art based on familiar objects he sees on his daily travels. His work has evolved to critique social and political issues affecting Native American and Native American culture. Much of his art has focused on issues such as institutionalized racism and classism, jarring stereotypes, and the displacement of people of color.

“Guardians of the Four Winds”

These four sculptures are painted in the colors of the medicine wheel, white, red, black and yellow, to honor the elements of nature and the colors of humanity. The symbolisms of these sculptures are linked to the symbols found in the native mounds of the indigenous communities of the East Coast and Central America. These symbols tell stories of what was present at that time.

“Land Recognition Flag”

“Cultural decolonization refers to a process by which a colonized people reclaims its traditional culture, redefines itself as a people and reaffirms its distinct identity. These flags were created to recognize the traditional territories of the Native tribes of Brooklyn, Queens and Long Island. The purpose of the Land Recognition Flag is to ensure that these tribes are not forgotten, that land treaties are honored, and to inspire Indigenous peoples to rule their own history and narratives. The exhibition of this work at the Queen Botanical Garden allows visitors to engage and explore a new understanding of survival, property, home and identity, as well as raise awareness of social issues affecting people. indigenous communities and other communities of color. (Note: Only one out of three indicators is currently installed. Additional flags will be hung the second week of July.)

Graciela Cassel: “Kaleidoscope”

Photo courtesy of AnkhLave Arts Alliance Inc.

Location: Forest Explorers Triangle

Cassel was born in Argentina and currently lives in New York. She received an MA in Studio Art from New York University and an MA in Fine Arts from the School of Visual Arts.

A surprising multiplied reality will awaken the dreams of new possibilities in viewers when they look through “Kaleidoscope”. The viewer will discover different dimensions among the trees, in the sky and in their image in the landscape of the Queens Botanical Garden.

Moïse Ros: “The fruits of the Spirit”

Photo courtesy of AnkhLave Arts Alliance Inc.

Location: Oak Alley

Ros is a Dominican-American sculptor, painter and printmaker. Heavily influenced by his direct contact with Caribbean culture and New York street culture, his creative sources generally come from urban pop culture, abstract graphic symbolism and my living memories.

“Fruits of the Spirit” is an installation consisting of three artistic banners along Garden’s Oak Alley. Inspired by love, joy and peace, they create a gracious and festive atmosphere.

Renluka Maharaj: “Mast / Heads”

Photo courtesy of AnkhLave Arts Alliance Inc.

Location: apple trees

Maharaj works in photography, installation, research and travel. Her often autobiographical work explores themes of history, memory, religion and gender and how they inform identity. Maharaj was born in Trinidad and Tobago and works between Colorado, New York and Trinidad. She attended the University of Colorado at Boulder, where she received her BFA in 2015 and her MFA at the Art Institute of Chicago in 2017.

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